10th Guitar Camp ( 12-14 December )
Documenting the camp in Photos
by
Low Kean Soon
Day 1
2008, This year the Society has organised this Guitar Camp for the 10th time through its 16 years in existence – Happy Guitar Camp 10th Anniversary! For the first time in this camp, the committee tried to have 2 artist-in-residence but unfortunately, it did not happen. Our other artist-in-residence, Uros, was not nice for going back on his word. As his other engagements in other countries did not work out, he was not willing to come to Malaysia only and demanded money which we could not afford to pay although an agreement was already in place! Nevertheless, we managed and we shall forget about him…
Anyway, we have Isabelle Heroux from Canada as our artist-in-residence and she is the first lady to be invited to our camp.
This year we had a record number of participants and, if, this remains so for the years to come…, I believe that we will be the largest and most successful camp in the world. Camp? Well, how did this camp come about? When the Society was to organise the first of these camps, I based it on the summer school I had attended – John Duarte’s Cannington Summer School, of course, with some modification. I had to think up of the programme and to name it. Naming is not an easy job as it has to represent correctly the intentions of the organisers as well as the content.
I have come across some festivals named such that is really a competition and falls far short of the name ‘festival’ A music festival is usually organised as a big event, whereby, it is usually and very strongly based on performance. On top of the number of performances, there will be shops, retailers, manufacturers etc that will be presenting their wares. Organisers will also be interested to having seminars, masterclassses, lectures, conferences during the festival. Added on, will also be a competition though not necessarily.
A summer school is called such in countries with four seasons where summer is a time for holiday and during the holiday extra activities like these occur. As the name implies, it is based on education although performances are not neglected. Our camp can’t be called a summer school for the obvious reason… we have summer throughout the year! As we intend to gather enthusiasts together … and keep them locked up!… just kidding… for the love of our instrument, fill their time up with activities for the period that has been allocated what would be better than to call our camp – a ‘CAMP’
Our camp focuses on the participants. Every activity, involves the participants making sure that every participant will go back having learnt something at the very least if not, with good experiences. The committee tries very hard to have every participant have opportunities to perform and play either in the masterclasses, workshops, students concert and our new event ‘Guitar Star’. Definitely, every participant will perform in the final most important concert of all – the participants ensemble concert on our last day. We try our best to be fair. Sometimes there may seem to be some unfairness. Trust me, there are none as I always tell my committee members to be make sure everyone gets a chance for everything we do. Sometimes, things just happen due to the fact that we have to make on the spot decisions that is necessary to make that particular event successful. This sometimes seem unfair but is unfortunate as the situation demands it. I am carrying on as it was brought to my attention that someone had complained about unfairness. Finally, as with all organisations, the executive committees decision is final.
This year, our camp had four 11 year olds and our eldest was 64. The camp through the years had mainly Singaporeans as foreigners but this year we had a 64 year old Japanese and a 60 year old British not mentioning the other 50 year olds. Are we going international? Whatever it may be, we welcome all.
Have fun with the photos…
A day in the history of the society. This camp is the 10th (Happy 10th Anniversary!) and is the 5th consecutive camp since we started again in 2004.
Documenting the Photos
by
Simon Cheong
For the first time the Society used the mini auditorium at the Malaysia Tourism Centre; this was caused by the fact that although I tried to book the Tuanku Abdul Rahman Auditorium early, someone else was earlier! And TAR auditorium was booked till 21st September. 21st September is too far into the year for the first society activity, so we decided on the mini auditorium. That date instead is reserved for the Society’s new event entitled Guitar Alive…is Alive!
So how did we fare at this mini auditorium? Great! We had the hall packed to the brim with the audience sitting on the stairs and standing wherever there was space to stand. Unfortunately, some left when they could not get in. We did not use microphones In this hall, although there were some comments that the performance would be very soft. Well, the ears usually take a few minutes to adjust and after that everything would be fine as long as one is concentrating on listening to the performance. One does not need blaring sounds from the speakers to gain one’s attention like in popular music as appreciating music needs one to focus and concentrate for a meaningful listening experience.
As an organiser and observer, I am glad to find that Guitar Alive, in its third outing, has seen improvement in the students and the teachers preparing them. This is of course one of the biggest benefits for the participants – improvement! There was a lot of enthusiasm with great attitude. What more can we ask for?
This student ensemble concert is primarily made up of participants who have played the guitar for two to three years, and most of them put in maybe 2 or 3 months of weekly practice before this concert. With all these taken into consideration, every participant has done an admirable job. At the same time, this concert is FREE and no profit is made. Everything is paid for by the participants but organised by the Society. The organisers do not receive any payment whatsoever and there are no sponsors as well. Everything has been done on a ‘love for the instrument’ basis and our biggest paycheck is the success we achieve. The warm glow on our faces when we see, speak or overhear the enthusiasm and feel the excitement … the great turn out at every event … the success…this pushes the committee to carry on doing what they do, again and again. So, here are the stories told in the photos…
We arrive at 4.00 p.m. to set up everything including a rehearsal…
Documenting the Photos
by
Simon Cheong
CGS International Guitar Festival & Camp 2008
‘Gubahanku’
featuring
Kuala Lumpur Guitar Ensemble II
with
Uros Docinovic (9 December 2008)
Isabelle Heroux (11 December 2008)
Tuanku Abdul Rahman Auditorium, Malaysia Tourism Centre, Jalan Ampang, Kuala Lumpur
For the first time, two concerts were organised, one on 9 Dec and the other 11 Dec, with the Society’s annual camp from 12 to 14 Dec. Phew! wasn’t it great for Malaysian guitarists with such a hive of activity? Well at least for those who were interested to be a part of such activities, it surely was. For those who did not know of them, they should keep track of our goings-on from our website; those who were a part of these activities should bring their friends along; while those who are skeptical – come and find out for yourselves. These activities made the week as festive as any International Guitar Festival although not named as such…hmm… maybe I should do some renaming…Malaysia International Guitar Festival and Camp. Well, this should be its unofficial name from now on…?
These two concerts came under the title Gubahanku, presenting Kuala Lumpur Guitar Ensemble II with their guests – Uros Docinovic (9 Dec) and Isabelle Heroux (11 Dec). This concert presented the world premiere of the late John Duarte’s Variation on an Indonesian song op124 (Gubahanku).
In 1996, the Society had the good auspices of Toyota Malaysia’s sponsorship. With this sponsorship I was able to have my teacher, world renowned composer, critic and a celebrated personality of the guitar world at that time John Duarte, here in Malaysia for the Guitar Camp. The icing on the cake was that I was to commission a piece for a world premiere concert here in Kuala Lumpur. I suggested to John to write a variation on a Malaysian song and I chose Gubahanku but very quickly I realised that it is not Malaysian but Indonesian. Getaran Jiwa by P. Ramlee was chosen instead and I had to ask Jack to stop work on Gubahanku. When he arrived in Malaysia, Jack handed to me not only the world premiere piece that was commissioned ‘Variation on a Malaysian song op 125 (Getaran Jiwa)’ but also a completed ‘ Variations on an Indonesian song op 124 (Gubahanku)’ and said that I could have both for the price of one – such was Jack’s generosity.
It had taken 12 years, and in 2008 we had the world premiere of the late John Duarte’s Variations on an Indonesian song op. 124 (Gubahanku) presented by Simon Cheong and the second ‘appearance’ of Variations on a Malaysian song op 125 (Getaran Jiwa) presented by Ernest Thomas…
Documenting the Photos
by
Simon Cheong
Once again, the Classical Guitar Society (WP/Sel) set a platform for guitar students to improve themselves through concert performance. “Guitar Alive is … Alive!”, a students’ ensemble concert, was held at Malaysia Tourism Centre on 21st Sept 2008. A non-profit organization, the Classical Guitar Society (WP/Sel) organized this concert with the sole intention of helping guitar teachers create enthusiasm among their students as well as to inspire them. The committee members offered their services whole-heartedly without prejudice nor with any hidden agenda. We hope that guitar teachers we approach to take part in future concerts will share the same aim and objective. For those guitar teachers whom we were unable to reach or contact, we hope they will contact us to let us know should they be interested in being part of such an event. Students should realise and appreciate, that if their teachers take part in “Guitar Alive is … Alive!” it will mean a lot of extra work and sacrifice to get their students together, organise practices, etc.- all for the love of the instrument! So the students should give their teachers the full support they deserve.
All the participants, teachers and committee members arrived at the hall at 4 p.m for the sound check and rehearsal…